N-A-A Chapter 217
Chapter 217
Sun Yunhao had expected Wang Long's performance after seeing the song list.
This song "Rainy Day" does not need too much showmanship.
Wang Long chose it, as if to declare:
He is no longer bound by dramatic publicity, but is willing to return to the softness of his heart, touching people's hearts in the simplest and most direct way.
This time, he is no longer the singer who tries to conquer the stage with skills.
Instead, he turned into a soulful narrator, telling the story of rainy days and the delicate and subtle emotions with his singing.
Singing love songs quietly and heartily, this is the real charm of Wang Long.
The completeness of the whole song performance and the stability of the sound are better than before.
It can be clearly heard that there has been vocal training, and the vocal guidance is on the right track.
The details and layers are made on a relatively gentle basis, which magnifies the advantages, and the stability of the sound is far better than the previous three episodes.
Of course, Wang Long's high-pitched part of the song was still not well performed, with weak qi and off-tune...
But from a technical point of view, Wang Long's performance this time is undoubtedly his best in the past four episodes.
He has not only made significant progress in the stability of his voice.
He has also shown a more mature and delicate side in detail processing and emotional expression.
It can be seen how important it is to choose songs + polish the expression that suits your own range.
In sharp contrast to Wang Long's delicate and stable performance, Ye Ying's singing of "Shelving" seems to be an unexpected "stranding" she encountered in her musical journey.
As a bystander, Sun Yunhao was full of confusion and regret for Ye Ying's performance this time.
From the first sentence of the opening, he could feel that Ye Ying was in a bad state.
The voice lost its former stability, was erratic, and even had obvious fluctuations in some places.
Especially in the first paragraph, the overall timbre position seemed extremely shallow and difficult to touch the depths of people's hearts.
The bass part, which is one of Ye Ying's strengths, seems particularly difficult at this moment, and is obviously not in her best comfort zone.
The flaws in the pronunciation make this effort seem inadequate.
The most regrettable thing is the lack of the high pitch.
As a highlight of Ye Ying's voice, the high pitch, which should be broad and powerful, failed to show its due charm at this moment, as if it was bound by an invisible force.
The song "Shelved" should have been a masterpiece that could show Ye Ying's profound skills and emotional expression, but under her interpretation, it became a "stranded" performance.
Compared with the unstable but still moving performance in the previous episode, Ye Ying this time seemed more free and uncertain.
Sun Yunhao couldn't figure it out.
What exactly made this queen-level figure still in poor condition after four episodes?
Nervous?
It doesn't seem to be enough to explain everything!
After all, Ye Ying's rich stage experience is enough for her to deal with various emergencies.
So, is it a problem of song selection?
Perhaps, this song is indeed beyond her current range, and the unfamiliarity with the song led to this result.
However, the deeper reason may be hidden in Ye Ying's voice state and basic skills.
When her voice is in good condition, her strength and charm are enough to cover up all shortcomings;
But once the function declines, the disadvantages of weak basic skills will be revealed.
Although Sun Yunhao's speculation cannot be completely confirmed, it is not aimless.
"I'm afraid Ye Tianhou's ranking in this issue is a bit dangerous!" Sun Yunhao thought.
Under the spotlight, Shantimore, the second to last appearance, brought the audience a unique rock feast.
Although the song "Wrecking Ball" does not completely match her usual voice and style, her performance unexpectedly became Sun Yunhao's favorite in this issue.
Shantimore's voice has a unique hoarseness and friction.
This could have been a challenge when singing rock songs.
However, with her profound musical skills and excellent on-site control, she successfully found the balance between her voice and the song.
Her interpretation not only retained the wildness and unruliness of rock.
It also incorporated her unique delicacy and emotion, making the whole song glow with a different kind of vitality.
What is even more rare is the state of a "soul singer" that Chantimore showed during the singing process.
She seemed to be integrated with the song, and every note and every beat rose and fell with the fluctuations of her inner emotions.
She didn't care about the flaws in her voice, but only focused on conveying the emotions in the song to every listener.
This casual performance style not only made her performance more real and moving, but also gave the songThe song has more soul and depth.
The Hexagonal Warrior is indeed worthy of its reputation!
Although Shantimore's performance is not flawless, she interprets the true meaning of rock in her own way - not in showing off skills, but in releasing and resonating emotions.
Her flaws not only did not destroy the overall listening experience and emotions, but added a bit of truth and power to the song.
This kind of performance that does not hide the flaws is the charm of her as a veteran singer.
After four episodes, Shantimore used four songs with different styles to show the audience her versatility.
No matter what style or emotion of the song, she can interpret it with a unique perspective and superb skills, allowing the audience to see a Shantimore who constantly challenges herself and dares to try.
The same fifty-year-old woman, the difference is actually quite big!
Sun Yunhao did not mean to belittle Ye Ying here, but after comparing the two, Shantimore is indeed stronger.
As a replacement singer, Sun Man was the last to go on stage.
When Sun Man came on stage, the welcoming atmosphere was no worse than that of John in the previous episode.
In terms of strength, Sun Man is not inferior to John.
One is a young king, and the other is an old king.
If they meet in the same episode, it is really uncertain who will win or lose.
For Sun Man, Sun Yunhao is full of expectations.
Although the replacement singer came with the task of eliminating people.
But Sun Yunhao still hopes that he can perform perfectly and bring everyone a perfect stage.
The song sung by Sun Man is one of his famous songs, called "Redemption".
It seems that he listened to Ye Ying's words and used his big move as soon as he came on stage.
Then, the greater the expectations, the greater the disappointment.
Or it can be said that Sun Yunhao's standards are a bit high, and he is completely judging Sun Man by his standards.
The main problem is Sun Man's control of rhythm.
Throughout the performance, Sun Man repeatedly dragged the beat, and occasionally he was one beat faster than the accompaniment, causing the overall rhythm to be a mess.
Although singing does not necessarily need to strictly follow the beat, moderate free play can add agility to the performance.
But Sun Man's dragging beat is obviously not due to the natural expression of emotions or the clever adjustment of pronunciation.
Instead, it is a whole process of dragging that has nothing to do with emotional processing.
This kind of rhythmic instability undoubtedly affects the audience's auditory experience.